|
Intro: |
Aye
Davanita |
|
Ed: |
Hey.
Am I on? Hey. Ho. Let's go. Uh, Self-pollution, air pollution,
noise pollution, pre-pollution, post-pollution, face pollution,
hair pollution, solution pollution. Uh, I don't think so. Not
enough solutions to our many complex dilemmas these days.
So here we are
broadcasting out from a little place here in Seattle. I don't know
if we've got proven answers to any of the issues we might bring up
tonight but perhaps you can take 'em home and sort 'em out. Think
about how you feel.
Perhaps the
beginning of change begins right in your head. Letting your
attitudes evolve, and this evolution takes place when there's
input.
And the reason we
bring this up, well, we've noticed that our society here in
America is opening up their homes to some folks who are
overflowing with input, and we've seen potentially dangerous
attitudes embraced and we're seeing blatant mistruths treated like
the gospel, and we're just doing our little bit here...far from
equal time...maybe to remind a few of you out there that you are
not alone in your opposition and that you are not in the minority
when you vote for change. Perhaps the silent majority is gonna
have to make some noise.
I've never
claimed to be a socio-political expert. I guess I feel compelled
to speak out on some issues for no other reason than the fact that
I've lived through them. You know, "live through this,"
well, I have.
And it's tough.
It's tough out there and a lot of people are just trying to do
their best to survive. And I think some of the situations being
created, or that there are situations being created, that can make
that impossible.
Again, I could
sound like a politician and I'm not. I'm just a guy.
And we've got
politicians here. We've got musicians. All local neighbors and
friends. And we're gonna play for you. They're gonna play for you.
Live.
In fact, what
you've just endured is probably the longest I'll speak all evening.
A couple issues might resurface, like protection of women's
reproductive rights, and even the safety of women in society - our
mothers, our sisters, girlfriends, wives.
But everyone came
to play. And I'm not gonna tell you, or divulge just yet, who is
playing but I'd say you're pretty lucky.
We're glad you
tuned in. We'll just spin records kind of in between the bands and
make calls and take calls and Jeff and Stone will come through and
it should be a real interesting night.
Anyways, I got a
record player in front of me and I'm gonna start playing some
songs.
I'm gonna play a
song now that probably didn't get much airplay back in the day but
it's off the Daydream Nation record by Sonic Youth and it's track
one, side one and it's called "Teenage Riot."
Talk to you guys
in a bit.
|
|
Canzone: |
Sonic
Youth - Teenage Riot |
|
Canzone: |
Slant
Six - Don't You Ever |
|
|
[Inizia
la canzone ma Eddie la sfuma dopo poche note] |
|
Ed: |
I
actually could have played the whole rest of the record. That was
Slant Six.
I hope they don't
mind me playing these songs. These are songs that maybe wouldn't
be played on regular radio, all the time anyway. But that was
"Don't You Ever" off the Dischord [?] record, again by
Slant Six, "Soda Pop Rip-Off."
We're gonna go
back, and I think we can go into this little house here. Explain
the setup here. There's a little trailer and I'm in here with,
like, a tape deck and a turntable. And then we got this little
house. And the bands are kinda hanging out in the house and we got
a room set up, so I think we're gonna go in there.
And I think we're
gonna play first, first two songs and come back and play some more
records, and then the bands are just gonna keep coming.
So I know we
talked about taking phone calls but let's keep - you know - save
your fingers for later. And right now we just got a lot of music
to take care of.
And, why don't -
I'll let you know later when and if we're gonna do that. We'll
definitely do it, and we'll keep the lines open for, like, a
couple days. And, you know, I'll take your calls tomorrow, or
whatever. But, you know, I'll be around.
But let's do the
music now. And this - speaking of the little house and how much
fun we have in it - this song's, this song's like about having
your first house, and it's by Klark Kent and it's called "Away
from Home."
Let me put the
needle on the record here.
|
|
Ed: |
Okay.
That's the end of "Don't Care," and the next song is
"Away from Home" and I'll - I'm gonna run in the house
now, and I'll see you from there. |
|
Canzone: |
Klark
Kent - Away from Home plays. |
|
Pearl
Jam: |
Spin
the Black Circle
Satan's Bed
Corduroy
Not for You
Immortality |
|
Canzone: |
Daniel
Johnston - Walking The Cow |
|
Canzone: |
Zeke
- West Seattle Acid Party |
|
Ed: |
Alright.
Can you hear me here? |
|
Ed: |
Ah,
hey. Well how is it? [laughs]
There's another
band setting up in there right now and I'm gonna play you the B
side of that single we just listened to - that was the A side, and
it's called "West Seattle Acid Party" - and that's by a
band called Zeke. And here's the B side, and it's called "Schmidt
Rid"
|
|
Canzone: |
Zeke
- Schmidt Rid |
|
Ed: |
[attraverso
uno strumento che altera la voce] You can love it.
You could've let
that keep going, you know. We can do whatever we want for three
hours. That's what they told us. That's what I heard. That's what
we agreed to.
|
|
[Ed
plays his and Beth's holiday messages] |
|
Song: |
Answering
machine beeps: Hello Eddie and Beth. This is Dee, and I just
wanted to sing you a little number. [singing] Jingle bell, jingle
bell, jingle bell rock, hey, jingle bell road [?] [a man's voice
takes over and he sings the tune of jingle bell rock in a
seemingly inebriated manner].
[by the
woman].
Okay, I'm cutting Kirk off.
New answering
machine segment, man's voice: Uh, I don't know if you fuckers are
in town or not but Peters is having a little gathering for a
little, little New Year's Eve, a little New Year's Eve party.
Nothing, nothing huge, just a few people over to get drunk and
fall down. But don't think you guys are in town, but just in case
you are I thought I'd let you know.
Anyway. Yeah, I
hope you had a Merry Christmas and Happy New Year and, whatever
else, I'll continue hating the world and everybody else in it for
the next year or two.
Hadn't started
off too good, I went out to my recycling bin to take some shit out
there and noticed that the neighbors have been filling their
fucking shit - putting their shit in it. So I searched through all
their fucking McDonald's sacks and I found a couple of envelopes
with their address. So I think I'm just gonna wheel it down to
their house and put it in their front yard, spread it in their
front yard.
Anyway, I'll be
talking at you guys later. Later.
New answering
machine message [man's voice]: And, well, yeah, Beth, I'm in L.A.
so there's no more Seattle number for me right now. I'm here just
wondering what I'm doing now because I put six months of hard work
into nothing.
So, yeah I'm just
kicking it, and, you know, just chilling out here in Los Angeles
where the weather's not great and the people aren't either. But,
that's cool. Hope you're having fun up there and everything's cool.
And hope you had a good New Year's and all that. I got wasted and
threw up under the table at a Mexican restaurant, it sucked. It
was just, ah.
Alright, give me
a call sometime and I'll tell you about my firing. They said I was
too loud and - get this, I have it written on my board - too much
of a risk taker.
New answering
machine message [man's voice]: Hey. What's up? It's Mike. It is
Christmas Eve. I'm at home, my parents, about to fucking kill my
family. It's fuckin', I hate my family.
Just calling up
and trying to get ahold of someone. If you wanna talk to me when
I'm drunk alone at home tonight you can. Call me there if you guys
are up to it or, if not, don't even worry about it.
Have a good
Christmas and talk to you soon. Bye.
|
|
Canzone: |
The
Descendents - Silly Girl |
|
Ed: |
Alright.
That's, uh, Descendents. The "I Don't Want to Grow Up"
album.
We're honored to
have - humbled, honored, excited - the Fastbacks are here, and
they're in the house and they're ready to play so let's let 'em
play.
|
|
Fastbacks: |
On
Your Hands
Run No More
Old Address of the Unknown |
|
Kim: |
Thank
you. |
|
Kurt: |
Thanks.
Thanks for having us. |
|
Ed: |
Wow.
Alright, so that's the Fastbacks and that's Kim and Lu Lu singing
and Kurt - he sings too and plays guitar. And I'm - from where I
am I can't see the drummer and they've changed drummers [laughs]
before so I'm not, I'm not sure who it is. Last time it was a guy
named Mike.
Anyway, here's
Gas Huffer
|
|
Canzone: |
Gas
Huffer - More of Everything |
|
Canzone: |
John
Hill [of King Missile] - A Little Restraint [spoken word] I
was walking down 12th street, which was fun, past the [vacuum
cleaner sound begins in the background] First Presbyterian Church
where I used to go to Sunday school, which I still have pleasant
memories of. I still don't think of those Sunday school years as
fundamentalist brain-washing for the patriarchy.
So it was a
pleasant stroll down 12th street til I came upon 6th Avenue and I
saw this shithead getting out of his car. I could tell immediately
that he was a shithead because the back of his t-shirt said,
"As a former fetus, I oppose abortion."
My first instinct
was to shout at him, "As a fellow former fetus, I wish you
had been an abortion." But I let him walk on ahead of me
because I'm not a violent man. I'm not a violent man but I could
already picture myself jumping him from behind and punching him,
and punching him until my knuckles and his face were a barely
distinguishable bloodied, mangled mess.
So I figured, let
him walk ahead of me. Get away from me. Get, get away from me. I
don't even wanna look at you, you ugly, smarmy pig because I
figure, what good would it do for me to get arrested for beating
on this one guy so I could sit in jail while he continues to walk
the streets, closing down clinics, shooting doctors, attacking
women. Oh, don't get me started.
So, so, so I sat
on a stoop for a minute or two til I cooled off and then I set
fire to his car and just walked away feeling good about myself
'cause, for once in my life, I showed a little restraint.
|
|
Ed: |
Cool,
that's John Hall. Is it John S. Hall? |
|
Kurt
and Kim: |
John
S. Hall. |
|
Ed: |
And
that's something called "A Little Restraint." And I'll
talk more about that in a second.
It's been
confirmed that it was a guy named Mike playing the drums. Mike
Mussberger. He used to play with The Posies and that's - that
fills up the lineup for the Fastbacks, which we heard before that.
And then there
was Gas Huffer, and that's off of the One Inch Masters record.
Okay, we're gonna
talk to ya in a second with something pretty important so, this is
The Gits.
|
|
Canzone: |
The
Gits - Guilt Within Your Head |
|
Ed: |
Alright.
Well that's, that's a band called The Gits and it brings something
up.
This is a pretty
unique opportunity to be able to go on the radio like this and it
- we appreciate you listening. Give you information on that, it's
information that goes with that last song by The Gits and even the
one spoken word thing before that and what they have in common is
that they're gonna be on this thing called Home Alive, which is a
compilation being put together here in Seattle, and the people who
are putting it together are with me now so I thought we'd talk
about it for a little bit and then maybe play another thing or two
off it.
So, we have Val
Agnew here, drummer from Seven Year Bitch and her friend, Greta,
who they've worked together on this pretty tightly. And another
guy who's helped out is Dave Meinert. And they're all sitting here
right now.
I guess I'll just
throw out a question or let you talk about it. I guess that - get
into it, like this is kind of heavy - but I'll just bring it up.
The singer in that last band that we listened to, The Gits, she's
no longer with us. And, uh [laughs], there you have it. It's
really hard to deal with but you're, you are dealing with it and
this is, this is one of the ways, right?
|
|
Val: |
Yeah.
Mia was raped and murdered and, um... |
|
Dave: |
Two
years ago. |
|
Val: |
Two
years - about a year and a half ago, July 7th, 1993. And we felt
very helpless about that. And a group of her friends got together
and thought that, we don't want to be helpless. We want to empower
ourselves to make sure that that doesn't happen to any more of our
friends.
And so Home Alive
is not only a record that's gonna to be coming out to raise money
for the organization - the organization is a non-profit, it's a
collective here in Seattle, and it's to raise awareness about
violence in our community and to try to make people aware of the
ways that they can individually make decisions how to take care of
themselves.
|
|
Greta: |
:
Yeah, so most of the money that's coming from - from all of the
benefits that we do here and - and specifically from the CD
project - is gonna go to self defense classes to teach, you know,
it's for anybody, for men or women. |
|
Ed: |
That's
right, cause right now they're kind of, they're kind of pricey,
aren't they? |
|
Greta: |
:
Yeah they're - they're a bit on the high side for sure [laughs]
and we're trying to, you know, we teach anything, from, you know,
verbal assault stuff to gun safety to whatever. We're into
advocating whatever kind of defense... |
|
Ed: |
defense
technique, yeah. |
|
Greta: |
:
you want to do for yourself. It's like we don't have any one set
thing that we... |
|
Val: |
:
Right. |
|
Greta: |
:
that we teach, you know. We have - there's a lot of misconceptions
about that [?] ... |
|
Val: |
:
Right. We don't have an agenda. We ask people to know what it is
that makes them feel safe and to take their own responsibility for
- for that. And that we'll try to give the most resources possible
for those people to make those decisions for themselves. |
|
Ed: |
Well
there's a few - there's quite a few bands participating, and
everything I've heard has been really good. We just heard the
spoken word piece by John S. Hall, again, and another spoken word
piece that we'll hear in a minute by a guy named Bobby Miller [laughs].
I think you're really gonna like it. [everyone laughs].
And if you don't
like it then relax. [laughter] Because - you know sometimes even
with - just to go off the subject for a - you know with - I don't
know - this is, this is the vocabulary of the real world, so some
of you are just gonna have to deal with it.
Anyway, some of
the people that are on this record, besides the spoken word,
things that we mentioned, there's Soundgarden, Joan Jett, X Scene [?], our band...Letty Lunch
[?] is gonna be on there?
|
|
Val
and Greta: |
Mm-hm.
Yeah. |
|
Ed: |
Wow.
And Seven Year Bitch.
Let's go ahead
and play this Bobby Miller spoken word, and then the last band is
DFL48 we're gonna play after and that's The Gits - who are all the
people that are still playing?
|
|
Val
and Dave: |
Dancing
French Liberals of '48. |
|
Ed: |
Oh,
alright. |
|
Val: |
:
And there's a lot of other local bands, independent people that
aren't, like, very well known yet that will be also and spoken
word artists that will also be on the record. Then I - there's no
really set time when this record will be released so it probably
would be a little bit down the line so... |
|
Ed: |
Yeah.
I think you're waiting on us, actually. [laughs] We just wanna
make sure that it's really, really good. As soon as I get my shit
together. |
|
Dave: |
It'll
be out. |
|
Ed: |
Okay,
let's play this stuff and after the song here we're gonna - we're
gonna go to Mudhoney who's, like, settin' up in the house. So,
here we go. |
|
Canzone: |
Bobby
Miller - Keep Your Mouth off My Sisters
This is dedicated
to all the women who walk any street in our country. It's called
"Keep your mouth off my sisters."
Sometimes you
begin to wonder if it's a conspiracy of men asleep at the wheel...the
way they spit out words at women they don't even know...that they
will never know. And it scares me to think that compared to the
things they say, what must be going on inside their brains?
And I wanna
scream at them "Hey, keep your mouth off my sisters! Your
words cause emotional blisters!"
Did something
happen at birth that caused this malfunction, or did they learn it
or earn it in some archaic male ritual? "What's the matter,
bitch? You a dike?"
Years spent
vomiting out abuse at women and men still don't get it? I want to
bend each one of them over and fuck the misogeny out of them. [laughter]
To wash their mouths out with my dick and let them feel the
collective humiliation of women everywhere to be unable to walk
the streets safely without feeling like this served [?] up fresh
and piping hot. "Oh, yum. And give me a six-pack to wash it
down. Oh, you're the man, man. You're the man. You're the big man,
man."
You ever notice
there's always two of them? They're never alone - like the coward's
tag team match of sexual harassment. "Hey, man, does it make
you feel like a man? Hey, man, keep your mouth off my sisters."
|
|
Canzone: |
Dancing
French Liberals of '48 - Dancing Foreign Legion |
|
Ed: |
Cool,
there you ready? Well, that's it. Before they get bored, Mudhoney's,
like, ready to play. You - you guy's - you're lucky bastards.
Mudhoney's gonna go live for you here. This is a - song's from a
record that's yet to be released. The record's gonna be called My
Brother the Cow. And this is Mudhoney live in the house. |
|
Mudhoney: |
|
|
Mark: |
Hey.
Howdy. This is the first song off our new album. It's called
"Judgment, Rage, Retribution and Thyme." It's about four
things. I'm not sure what they are.
Judgment, Rage,
Retribution and Thyme.
|
|
Mark: |
Yeah.
Truer words have never been said, right? Song number two.
This is a second
song off our new record. It's called "Generation Spokesmodel."
Generation
Spokesmodel
|
|
Mark: |
Okay,
this next song is the third song off our new record and it's
called "What Moves the Heart". And it poses the musical
question, "What moves the heart?"
"What
Moves the Heart"
|
|
Mark: |
Thank
you and now back to you, Ed. |
|
Ed: |
I
was just in watching. So, thanks Mudhoney. Everybody clap at home.
I'll clap with you. [clapping]
Well, that's
super cool. Thanks to all the guys and their wives and everybody.
Okay, this is - I
should slow down for a second. Stone, are you ready? Do you wanna
play some...
|
|
Stone: |
Ah,
yeah. I need to find my suitcase. It's in the box or something. |
|
Ed: |
Here
ya go. Alright. So Stone, what are - you're gonna play something
off of this Loose Groove thing, right? |
|
Stone: |
Yeah. |
|
Ed: |
You've
been working on this. |
|
Stone: |
I
am. [Ed laughs]. And the first band I'm gonna play is a band
called Weapon of Choice... |
|
Ed: |
I'll
go right up there... |
|
Stone: |
And
this song's called "You Owe It to You." |
|
Ed: |
Hey,
Stone, does this stuff come out on vinyl? |
|
Stone: |
We're
actually doing vinyl. Limited edition. And, actually it hasn't
come out yet. There's a lot of complex things in running a record
company and I'm running up against them all the time. But, of
course it will come out on vinyl. This is "U Owe It to
U" and it's on Loosegroove records. |
|
Canzone: |
Weapon
of Choice - U Owe It To U |
|
Stone: |
[?] |
|
Ed: |
I
could stomach most of it. |
|
Stone: |
Alright.
That was - that was Weapon of Choice and they're out on
Loosegroove records, which is a label I'm starting here in
Seattle. And right now we're gonna listen to something else - we're
gonna be playing some more Loosegroove stuff later in the night -
but right now I really feel like we need to go to Atlanta and play
some Outkast. This one goes out to Dirk and Lonnie. See ya. |
|
Canzone: |
Outkast
- Ain't No Thang |
|
Ed: |
Good
one. What was I talk...Stone...Stone left and... |
|
Jeff: |
Outkast... |
|
Ed: |
Jeff's
here. |
|
Jeff: |
I'm
Jeff. [laughs] |
|
Ed: |
Yeah.
I never heard that before. |
|
Jeff: |
And
we're looking for something to play. |
|
Ed: |
So
this is what Stone listens to. It's good. It's good. |
|
Jeff: |
It
is. I like it. [laughter] Really. I like it. |
|
Ed: |
A
cassette.
[Recording by
unknown male:] Home grown in my backyard is the best herb you
could ever find. [laughter] Home grown in my backyard and the
public knows it's mine. If you come over to my place...
|
|
Ed: |
[laughs] |
|
Jeff: |
That
was from Jeff Ousley, right? |
|
Ed: |
I
thought that was yours. That's not your tape? |
|
Jeff: |
No,
it's not my tape. |
|
Ed: |
Oh,
okay. Yeah, yeah, deny it now. You've got a tape then? |
|
Jeff: |
What
do we want to listen to, songs or words? |
|
Ed: |
Let's,
uh...actually this...Mike and Layne Stayley and... |
|
Jeff: |
Barrett. |
|
Ed: |
Barrett
the drummer and... |
|
Jeff: |
Baker. |
|
Ed: |
Baker
- Mike's friend Baker playing bass - they're kind of getting ready
in the house. They're probably gonna, like, be set. We heard the
sounds of - this sounds pretty cool from the house as far as the
live bands, so we're pretty excited. And we heard that we haven't
lost a station yet so that's good news. |
|
Jeff: |
It's
very good news. |
|
Ed: |
But
let's see if we can - let's see if we can push that boundary [Jeff
laughs] and you can do a little...you put this together... |
|
Jeff: |
Where
- where's the tape? |
|
Ed: |
Oh,
I thought you had it. |
|
Jeff: |
No.
Here it is. Right here. |
|
Ed: |
Alright.
Let 'er rip and then we'll go to this thing called Mad Season. Oh,
yeah, this is - this is what... |
|
Jeff: |
a
dialogue... |
|
Ed: |
this
is what Henry Miller - who's this star, this tape? Who are the
stars of this tape? |
|
Jeff: |
Henry
Miller, Noam Chomsky, Tom Waits, Iggy Pop. |
|
Ed: |
You
could've just, first... |
|
Jeff: |
Veruca
Salt. |
|
Ed: |
Iggy...Iggy,
Tom, Veruca, Henry. Okay. |
|
Jeff: |
Stars. |
|
Ed: |
Let's
go for it. |
|
Canzone: |
Jeff's
tape
[Tape
plays]
The laughter, you
say, is the most important thing. Not at others but at yourself,
huh? That's the great thing.
***
Let's look at the
way the media operate, the way the public relations industry
operates, the extensive thinking that's been going on for a long,
long period about the necessity for finding ways to marginalize
and control the public in democratic society.
***
[from Willa
Wonka] [sung by Veruca Salt] ...donuts and fruit cake with no nuts so
good you could go nuts...
Veruca's father:
you can have all those things when you get home.
Veruca Salt [sung]:
No, now. No, now [repeat].
I want a...
father: [?]
Veruca Salt [sung]:
Now. I want the world. I want the whole world. I want to lock it
all up in my pocket. It's my bar of chocolate. Give it to me now.
I want...
***
I look as the man
that I am. The confused man. The negligent man. The lusty, obscene,
boisterous, thoughtful, scrupulous, lying, diabolically truthful
man that I am.
***
It's been
accumulated about the way the major media, the sort of
agenda-setting media - in the national press, the television and
so on - the way that they shape and control the kinds of opinions
that appear, the kinds of information that comes through, the
sources to which they go, and so on. And I think that [Jade ?]
will find some very surprising things about the democratic
system...
***
...language and
human cognition demonstrate, to me at least, what remarkable
creativity ordinary people have. The very fact that people talk to
one another is a reflection - just in a normal way, I don't mean
anything particularly fancy - reflects deep-seated features of
human creativity which, in fact, separate human beings from any
other biological system we know.
***
|
|
Ed: |
Alright.
We're gonna go to Lane and Mike and Olga - and Mad Season is the
name of the deal. [laughs] And it's gonna maybe be released in
March - not until March - so if you've got your tape player
recording, you're lucky. Or, you know, if you don't have it, you're
unlucky. Or, you know, get your tape player going and you'll be
fine. This is Mad Season. |
|
Mad
Season: |
Lifeless
Dead
I Don't Know Anything |
|
Canzone: |
Jeff's
Tape with Tom Waits and Iggy Pop |
|
Canzone: |
Jeff's
tape with a hilarious exchange between Iggy Pop and Tom Waits
Iggy: Wow. Almost
forgot. Listen, I worked with this drummer the other day.
Tom: Yeah.
Really?
Iggy: And this
guy, man, his name's Giant Robo.
Tom: Yeah.
Iggy: And he
clanging and banging and - really hard. Man, I thought of you. I
mean, maybe you wanna - this is somebody, I think you oughta check
him out.
Tom: Oh, really?
You mean - you think I need a professional drummer? Like, I'm not
good enough? What are you talking about?
Iggy: No. No. But
I'm just - you know - it's a musician. I thought - I just wanted
to tell you about this guy. It'd be great, man. I mean - you know,
it's like hard and industrial and he's beating, you know and I
just thought...wow.
Tom: Well, you
know, what - what are you trying to tell me? I need a drummer? I
could use a drummer? Because I'm not - my drumming on my record
sucks? What are you saying?
Iggy: [pause].
Ah, forget it, man. Forget it.
|
|
Jeff: |
Um,
That was my friend Tom and Iggy - they're my friends. That was an
excellent performance by Mad Season. I'm really looking forward to
hearing the rest of the record. Mike actually played me a couple
of weirder songs and, um, I though it was really nice. Um, this is
a song that some of my friends - kinda an eclectic group of
friends - Robbie Robb, friend of mine from South Africa, and Cary
and Richard and this amazing keyboard/bongo player named Amos. So,
here's a song called "Solitude" by Jumble Oats. |
|
Canzone: |
"Solitude"
- Jumble Oats [in seguito chiamati Three Fish] |
|
Jeff: |
We
have a song coming by another band that's a ... too unknown, with
a non-LP song called "President's Test". |
|
Canzone: |
"The
President's Test for Physical Fitness" - American Music Club |
|
Jeff: |
I
already told you that that was American Music Club, but Eddie
wanted me to say that again anyways, so... |
|
Ed: |
I'll
take the mic. I think you might be getting tired of hearing my
voice, but it's a necessity to get from one song to the next right
now and, I'll tell you what, I'll address the issue of phone calls.
We're still kind of chock full of music here so we're gonna keep
going with this. And uh, this is another rare...well, this is a
rare opportunity to play this stuff to ya. It's two songs by Dave
Grohl. As far as I know, he's played everything on these songs.
He's playing all the instruments. He played it to me a while back.
We ended up recording a song or two with Mike Watt. And uh, we
might give speaker phone calls, and I think we might make a couple
calls out before we take any in. And uh, I think we're gonna try
to call Watt down in Pedro and, uh, I'm gonna just let these Dave
Grohl songs fly. They're just...they're really good. |
|
Canzone: |
"Gas
Chamber" - Dave Grohl |
|
Canzone: |
"Exhauseted"
- Dave Grohl |
|
Canzone: |
"Pain
In My Heart" - Babes In Toyland |
|
Ed: |
Ahh.
That's a ... that's ... if ever you hear that song, that's Babes
In Toyland. I remember listening to that song. I had it on ...
Beth brought it on cassette or something on we were driving
somewhere. I think we escaped somewhere. Maybe it was one of our
first escapes a long time ago and we were in some car and the top
was down in some beautiful place, but we're cranking this kinda
heavy tune and I just remember just wanting to like jump of a ...ya
know ...take the car off a cliff [2 people laugh] die in that
moment. It was a good moment. But we were just talking about that
out in the yard here we were just talking about listening to a
song in a certain place and uh, this is Kim from the Fastbacks
here. Steve Turner's here too. But you said you had Dave Grohl's
tape. With you and you were where? |
|
Kim: |
We
went to Guatemala for Christmas. I brought it with me and it was
just really awesome to hear that on top of these pyramids and [Steve:
[laugh]]. Because it is such a great song. "This is a
Call" is the name of the song. And it was such an amazing
place to see the jungle and hear that music. It was really great. |
|
Ed: |
Yeah.
It doesn't'...listening to music outside for some reason, it just
kinda challenges things. |
|
Kim: |
Especially
when...I hadn't really listened to much music when you were down
there. I mean it was the only cassette I brought with me. And that
should say how much I like it. |
|
Ed: |
Lucky
you. Now Steve, you had a ...we were just commenting on the genius
of Dave Grohl's record. [Dave Grohl]. And you had a ... and you
had a comment. |
|
Steve: |
Um,
the genius started long a go in "Dain Bramage" [everyone
laughs] that would be the band he was in about '86 or so. |
|
Ed: |
Now
obviously, we feel totally comfortable about bringing this up and [Steve:
yeah.][Krist: I'm sure he's psyched about it] because he's
so fucking good now. [Steve: yeah] What can you say? |
|
Steve: |
He
started off good, he kept getting better. |
|
Ed: |
cool. |
|
Krist: |
That's
a good thing. |
|
Ed: |
Well,
speaking of, if I look in the house, the next band is ready to
play and the next band is uh well it's Chris, Kim, Matt and Ben of
Soundgarden. So, they're gonna play some songs for ya and I hope
you enjoy them. |
|
Soundgarden: |
Blind
Dogs
Fell on Black Days
Kyle Petty, Son of Richard
No Attention |
|
Canzone: |
Bass
tuning tape |
|
Canzone: |
"Do
Me" by the Frogs |
|
Ed: |
Well,
uh, I bet you like that. That's the Frogs. Jimmy from the frogs. I
was thinking of calling his brother Denis in Milwaukee. Um, we'll
try doing that. Krist Novaselic is here; he's sitting next to me.
We're gonna try to call Denis. Then we're gonna try and call Mike
Watt... so let me uh...Krist, you have anything to say while I
find Denis' number here. |
|
Krist: |
Clear
thought. What am I gonna say? Well, everybody looks all happy and
healthy tonight. It's really nice seeing people who are hanging
out. And it's really really wonderful.... |
|
Ed: |
[laughing]
Just so ya know. |
|
Krist: |
It's
like a community thing. |
|
Ed: |
And
you actually mean that [Krist: yeah] Sometimes you can sound
sarcastic. |
|
Krist: |
Yeah,
cynical. But I'm trying to overcome my cynicism. I don't want
be... |
|
Ed: |
Yeah,
it's really neat to hear. That's pretty neat. |
|
Kim: |
It's
fantastic. It's community |
|
Ed: |
So
let's uh. We're gonna spread, we're gonna make our community wider.
We're gonna try to call our friend Denis in Milwaukee. Oh, do I...
I need to press this in. hush. [Hitting buttons and it sounds like
he's cheming on a straw - ugh! gross!] Is this working? This is
the first phone call we've tried [Krist: uh oh]. So uh, give us a
second. Try it again? Ok, I'm dialing now and you can't hear this. |
|
Krist: |
[singing]
"Dialing for dollars is trying to find me" |
|
Ed: |
[Imitating
a generic DJ] We've got uh, we've got 86 from the top and 13 from
the bottom if you're the uhh... |
|
Krist: |
Oh
me, me! |
|
Ed: |
Hey
Denis. Denis? |
|
Denis: |
How's
it goin? |
|
Ed: |
Alright,
good, are you listening? |
|
Denis: |
Yeah. |
|
Ed: |
We
just played Jimmy's song. It sounded good uh, you've got a ...
you've got a um.... Are the kids asleep? |
|
Denis: |
Yeah. |
|
Ed: |
Can
you play this thing loud enough so we can hear? |
|
Denis: |
Yeah,
it's all cued. |
|
Ed: |
Cool,
so this is uh, do you have a name for this yet? You see, Denis,
well he actually just played me this song on the phone the other
day and I uh, and I begged him to play it for everybody. So uh,
we'll do that if you can play it. What's this? Does it have a
title? [dead silence for about 3 seconds] ... "Johnny?" |
|
Denis: |
Yeah,
I was making the people wait. It's a "Johnny get out of my
jidge" |
|
Tutti: |
[laugh] |
|
Ed: |
Ok,
let's hear it. |
|
Denis: |
Ok. |
|
Canzone: |
"Johnny
get out of my jidge" by Dennis from the Frogs |
|
Ed: |
Wow! |
|
Krist: |
Those
kids have nothing on Yoko Ono. [Ed: laugh] or she doesn't have
nothin on them. |
|
Denis: |
Thank
you man, what... |
|
Ed: |
Hey
Denis, thanks. |
|
Denis: |
Thank
you man. |
|
Ed: |
It
was great. Ah, just know, another radio hit goin' out the masses.
Laugh |
|
Krist: |
How
things been hanging Jim? [correcting himself] Denis? |
|
Denis: |
What's
that? |
|
Krist: |
Hey
Denis, it's Krist Novaselic. |
|
Denis: |
Hi,
how's it goin? |
|
Krist: |
Got
your letter. |
|
Denis: |
Yeah. |
|
Krist: |
Thanks. |
|
Denis: |
Thank
you. |
|
Krist: |
Alright. |
|
Denis: |
We
got to ...we got to take the cow for a walk in a little...a little
while. |
|
Ed: |
Hey
Denis, you don't have any of that Wesley Willis stuff lying around
do you? |
|
Denis: |
Um.
If I could find it. I do. You want it? |
|
Ed: |
Actually
yeah. I mean, you know. Wesley Willis his whole repertoire is a...we'll
take anything. |
|
Denis: |
Here
it is. This is a uh. I'm hearing the delay downstairs. What's it
called ... "They Threw Me Out of Church". |
|
Canzone: |
"They
threw me out of church" by Wesley Willis |
|
Denis: |
Can
you handle it? |
|
Ed: |
Ah
man. Well I could, you know he's one of my favorites. Just the
fact that you know that really happened and that his lyrics are
honest. That's all I want in music. An honest lyric? Well, we're
gonna try and call Watt on the phone. |
|
Denis: |
"Watt?"
[jokingly, as in "what?"] |
|
Everyone: |
[laugh] |
|
Krist: |
[Imitating
Dennis] What? |
|
Denis: |
I'm
just warming up. I was a little nervous before but uh, you know. |
|
Ed: |
Well
uh, I'll call you tomorrow. Just be you and me. |
|
Denis: |
Ok. |
|
Ed: |
Ok,
see you Denis. |
|
Denis: |
Bye. |
|
Ed: |
Goodnight.
Ok, so let's uh. Let's call Watt and play some songs off this
record [somone off mic: What?] [Ed flipping through a book]. |
|
Krist: |
Off,
that's the off button on the phone. |
|
Ed: |
Oh,
on the phone. Ok, so uh, Watt's number is...hey Krist, you have
something to say while I ...[laughing] |
|
Krist: |
You
sure Mike's awake right now? I called him. [Ed: No, I...] I think
I called him the other night and he wanted 5 words about his
record. I called at midnight and he goes "Watt goes to bed at
nine". |
|
Ed: |
Right
I know. |
|
Krist: |
'Cause
he gets up at dawn. |
|
Ed: |
That's
right, I know. Well he told me he was gonna stay up. |
|
Krist: |
He's
gonna stay up. His eyes are kinda bloodshot. [Ed: Stay up late]
he's like "uhhhhh". He's got some kinda jet lag. |
|
Ed: |
Well
he was looking for those 5 words for like the ... for vinyl. |
|
Krist: |
Oh,
I got em too. "Many bands make tight work". |
|
Ed: |
Wow
this would be like...about Minutemen? [not getting it Krist's
little saying]. |
|
Krist: |
Well,
like yeah... the bands, but also like you "band"
something up with a bander [ed getting it. ohhhh.] You'd make a
"tight work". You know it's also like "bands",
you know? Since this project there's so many bands and personnel. |
|
Ed: |
So
many people. And we're going to talk to him about that. But that's.
... And he was asking for secret messages. Because they go on... I
don't know if.... We're going to talk to you about vinyl for a
second. Because vinyl, there's little secret codes on the inside
of vinyl. |
|
Krist: |
We
had one on our first single we did with Nirvana with "Love
Buzz" and it was. "You should trade in those guitars for
shovels!". I mean, that's what my.... we were practicing in
our garage and my dad walked in and told that to us. |
|
Ed: |
That
was the quote. |
|
Krist: |
[Imitating
his dad] Yeah. "You should trade in those guitars for shovels"
he's a machinist work ethic. Labor-union-type person. |
|
Ed: |
Well,
isn't that like...now you own shovels and guitars. |
|
Krist: |
I
got picks and pitchforks, pickeroos, all types of implements, hose,
rakes made of hickory handles made out of good hard hickory wood. |
|
Ed: |
No
slivers |
|
Krist: |
No
slivers. Yeah, smooth and strong [woo voice] "smooth and
strong" |
|
Ed: |
Speakin'
of smooth and strong. Maybe we'll give old, calm Mike Watt a call [Ed: There you
go.] We're gonna try call Mike down in a ... oh
there's another band setting up by the way. I don't know who it is
and we're going to take calls later. In fact before we call Watt,
let me address the issues that it's 10.26 and we uh. And we told
the radio stations three hours, three hours of time and that might
be what they cleared out and by the way, too, we heard that some
of the radio stations were saying that we were in their city and
in their station actually. I think that happened in Los Angeleez
and somewhere else [Krist: Phony baloney.] I just wanted to
clarify that we are in Seattle. [Krist: Right.] Let's uh, give a
call to Pedro. And anyways, we're reaching that 10:30 point and I
know that ... I know that uh ... there's at least one more band
that's gonna play and we have some more satellite time so we migh
t lose some of you but we're gonna keep playing here. And uh. I
think um. I'll take calls here after we play. We're gonna play one
more time. |
|
Krist: |
You
can always shove Dr. Dimento back a couple of hours. All you
programmers listening to this so uh.... |
|
Ed: |
There
you go, kris. I've taken Krist's advice and it's done nothing but
positive things for my life. |
|
Krist: |
Let's
call uh...[hitting buttons] ... that's uh "on"
..."out"..."on"...the bottom...and I can put
this down? I don't here it ringing. |
|
Watt: |
Yeah,
it's Watt. |
|
Ed: |
Hey
Watt. |
|
Krist: |
Hi
Mike. |
|
Ed: |
It's
Eddie. |
|
Krist: |
It's
Krist. |
|
Ed: |
And
Krist. |
|
Watt: |
What's
up? Hey Eddie |
|
Ed: |
We
got the bass brotherhood going. I should get Lukin in here. |
|
Krist: |
Did
you get the five words I told you? You were really groggy that
night. |
|
Watt: |
Well,
you know. I'm single [Ed: [laugh]]... |
|
Krist: |
"Many
bands..." |
|
Watt: |
Right,
I had it carved inside. |
|
Krist: |
Alright. |
|
Ed: |
You
did. Now mine was kinda long. But you know, [Watt: It fit.] There's
no way to shorten it. You use it? |
|
Watt: |
Nah,
it fit all in. Little writing. |
|
Ed: |
Wow,
mine was "You can't change the strap on Dee Boone's hat"
[Krist: Ohhh wow] because he gave me Dee Boone's had and I put it
on and uh, [Watt: oh yeah] it fit, but we were in the truck and
the window was open and I thought maybe I should just put it on
tighter, so it didn't fall off, and you know, and then I though
"No, no, you can't change the strap on Dee Boone's hat" |
|
Krist: |
It
looked like you had a big head. |
|
Ed: |
Well,
it's almost the size of mine [laugh], [Watt: he's a big man] so
there you have it. |
|
Watt: |
He's
a big man. You know, you wouldn't...there's this delay, it's a
trip. |
|
Ed: |
[Simultaneously
with Krist] Oh, turn your radio down Mike. |
|
Ed: |
That's
good to know you're listening anyway. |
|
Watt: |
Oh
yeah, alright. |
|
Ed: |
So,
Watt, we're gonna play something off your record now, when's this...there's
all kinds of things on this. When's it coming out? |
|
Watt: |
Feb.
7th. |
|
Ed: |
Feb.
seventh. |
|
Watt: |
Yep.
Well, you know. |
|
Ed: |
And
it's comin' out on vinyl for sure. |
|
Watt: |
Yah,
blue. |
|
Ed: |
Blue
vinyl. |
|
Watt: |
They
look like germ circles. |
|
Ed: |
Yeah,
yeah. |
|
Krist: |
Oh
wow. Germ blue, that's a shade. |
|
Ed: |
Speaking
of the Germs, Pat... |
|
Watt: |
If
we're gonna wear 'em on TV, we should put 'em out on vinyl. Germ
circles. |
|
Ed: |
And
speaking of that, Pat Smear sings a song. |
|
Watt: |
Yeah,
he does. Great. An old Minutemen song. |
|
Ed: |
that's
uh, "For Every One Reporter's Opinion" right? |
|
Watt: |
Yeah. |
|
Ed: |
I've
got it right in front of me, so I know. |
|
Watt: |
Well,
hook's to doe[?] song, the Minutemen was the second part with Pat. |
|
Ed: |
Oh,
that's right. |
|
Watt: |
Pat
tripled up on himself. |
|
Ed: |
Well
we were uh, we were kinda running late and that's no big deal, we're
gonna just keep goin and whoever wants to stick with us can stick
with us, and whoever doesn't can miss out. But uh... there's just
tons of ...there's so many people on this... there's a lot of
people that are playing on this record...you're playing with a log
of friends, and I bet.... |
|
Watt: |
Big
match. |
|
Ed: |
That'
right, well, the name of the record's "Ball Hog or Tugboat"
but you said you called it your wrestling record [Watt: yeah].
Wrestling, because uh.... |
|
Watt: |
Or
"The Petri Dish something like that. |
|
Ed: |
"Get
in the Ring with Watt". |
|
Watt: |
Right,
"Chemistry Set". |
|
Ed: |
And
there's all kinds of people, I bet if you ... the length of time
you've known all these people, if you added them all up, I bet
you'd be eligible for retirement. |
|
Watt: |
Yeah,
hard guard. |
|
Ed: |
Should
we ...should we play...should we play... |
|
Watt: |
I'm
really grateful for them, all the contenders that helped me with
that. |
|
Ed: |
Ahh,
yeah, well. The contenders would say the same. Without gettin' too
mushy, do you want to play a song? |
|
Watt: |
Sure. |
|
Ed: |
Let's
try, let's try "Big Train" and maybe stay on the line
and we'll talk to you more. |
|
Watt: |
Yep. |
|
Ed: |
Ok. |
|
Watt: |
Thank
you. |
|
Ed: |
This
is off a record that's gonna come out called "Ballhog or
Tugboat". This is Mike Watt's dilemma. The first song is
"Big Train". Might take a second here. Here we go... |
|
Canzone: |
"Big
train" - Mike Watt |
|
Watt: |
[Laughing]
I thought we were playing Carla's songs. |
|
Ed: |
Oh,
no. |
|
Watt: |
I
got the whole song over the phone here. |
|
Ed: |
Oh
good, no, Carla... |
|
Watt: |
We're
talking and it didn't sound like anybody could hear. |
|
Ed: |
Carla...no,
uh, I couldn't. I was trying to see if I could talk to you during
the [Watt: It's too much] it made you listen to the song, though.
How do you feel about it now, it's been like a month or a few
weeks. |
|
Watt: |
Over
the phone... |
|
Krist: |
Fiber
optics |
|
Krist: |
You
will... [imitating a phone operator] "You will hear Mike
Watt." |
|
Watt: |
Wow,
I wasn't ready for that. |
|
Krist: |
"You
will..." it's like that AT&T commercial: "Whoever
you are, some phone company..." |
|
Watt: |
It
was like 4 minutes long, I don't think... |
|
Krist: |
That's
not a pop single. |
|
Watt: |
No...It's
a trip. |
|
Ed: |
Well
that was uh... |
|
Watt: |
The
way I guess heard music when I was a kid. In those little
close-and-play type. [Ed: Wow] They spilled grape juice, him and
his brother. They go bellig[erent] and spilled grape juice all
over the Creedence record. |
|
Ed: |
On
his close-and-play |
|
Watt: |
That's
what it sounded like...anyway. |
|
Ed: |
Well
that was uh... |
|
Watt: |
Thanks
for sending me back a few years...wow. |
|
Ed: |
Um.
That uh ... I guess Dave. Uh. Most of that was recorded up here.
Wasn't it? Seattle. [Watt:Yeah it was] I mean I was there. |
|
Watt: |
Yep.
I guess, yeah. In three different towns. Frankenstein. |
|
Ed: |
Oh,
because... |
|
Watt: |
The
Cookwood brothers did it here, and Mascis did ... |
|
Ed: |
and
Jay Mascis did it in New York, and Dave Grohl did it here and I
played some guitar up here. |
|
Watt: |
Right,
In Bob Lang's hole. |
|
Krist: |
Bob's
bunker. |
|
Watt: |
I
got to learn about Seattle. It was really nice. But, most of it.
There was no rain. We were like 40ft under his house with all the
marble. And uh... yeah. Krist on the Farfeesa. |
|
Krist: |
I
was playing the Farfeesa. |
|
Ed: |
That
was Farfeesa on the other song..."[Against] the Seventies". |
|
Watt: |
I
think he came right after that. |
|
Ed: |
Yeah,
that was a nice day. Well, it's a nice day here, too, Watt. |
|
Watt: |
I
never played with a Farfeesa. |
|
Krist: |
It's
like Blondie. |
|
Watt: |
That
whole thing, I never really drank wine in a long time. |
|
Krist: |
Oh,
that's right, all that wine. [High voice] Wine, wine, wine! |
|
Watt: |
I'm
glad we got recording. One big A-chord. Usually I use D-chords. |
|
Krist: |
You
were talking about pentatonic scales and the Masons and
five-pointed stars [Watt: Oh, right] This big conspiracy thing. |
|
Watt: |
Uh-huh. |
|
Ed: |
Yeah,
yeah, yeah. |
|
Krist: |
That
was the mood. If you want to know the mood of the session. It was
red wine and heavy conspiracy. |
|
Ed: |
Fouculus
Pendulum. |
|
Krist: |
Whose
pendulum? |
|
Ed: |
foculus? |
|
Krist: |
Foculus? |
|
Watt: |
A
bomber went down at 3:33 or something. 3:23, 2:23 ... |
|
Ed: |
Hey
Watt, I've been reading this book. How do I say the name?
fockuluts |
|
Watt: |
Focallus |
|
Ed: |
Focallus
pendulum. Ok. Well, we know we're gonna go way over if we start
talking about focult's pendulum with you [Krist laughs, Watt:
that's true]. Let's um. We're gonna go to that thing that Kathleen...uh,
I don't know her but uh [Watt: Olympia] I've seen a lot of the
things that she's doin' obviously. And uh, kinda right up a...it's
a good alley anyway. But uh, she's ...she's gonna be on this
record actually in a way shape or form. |
|
Watt: |
She's
the estrogen balance...ballast. |
|
Ed: |
We're
gonna play that. And then uh...I'm gonna say goodbye to you now.
We're gonna play that. And then uh, and then uh. Krist is gonna do
something and then we're gonna move on. So uh. Thanks for staying
up late. |
|
Watt: |
Yeah,
no problem. Krist, Eddie, thanks. |
|
Ed: |
Ok,
see you. Goodnight, Watt. |
|
Watt: |
All
you guys there. |
|
Krist: |
Goodnight,
Mike. |
|
Ed: |
Alright.
Out. Uh, let's see if we can find this little head. Just go in
there. We're goin to cassette? |
|
Canzone: |
Messaggio
con la voce di Kathleen Hanna lasciato sulla segreteria telefonica
di Mike Watt. |
|
Ed: |
Uh,
that was Kathleen Hanna, this is Crunt. |
|
Canzone: |
"Black
Heart" by Crunt |
|
Ed: |
Alright.
That was Crunt. And this is Krist Novaselic with surprise,
surprise. |
|
Krist: |
Ok,
here I go. This is uh ... I'm writing a book about a guy who's
trying to overcome his cynicism. An uh, this is I guess the first
chapter. |
|
Krist: |
A
reading from his book. |
|
Krist: |
That's
it. |
|
Krist: |
Well,
there you go. I just want to say that I'm more into Jesus than I
am St. Paul [laugh]. And uh... |
|
Ed: |
Hey
oh. Thanks. That was. I think we all appreciated that. |
|
Krist: |
Thank
you for having me, Eddie. |
|
Ed: |
Ok,
back to radio land [whisper] That's It. Is he on this date tonight? |
|
Krist: |
There's
a jam goin on in there [the band room]. They're live. |
|
Ed: |
Go
to it. Go to live. |
|
|
[Closing
notes of a jam] |
|
Krist: |
Oh,
they just ended the jam [laughing] Jeff is laughing, so is Mike. |
|
Ed: |
Are
you with us? |
|
Cary: |
Stay
with us. |
|
Ed: |
Well,
we're trying to get to the room, but we can't. |
|
Cary: |
You
want to go to the room? |
|
Ed: |
Well,
now they just ended. |
|
Krist: |
There
we go. It's smooth sailing [laugh] |
|
Ed: |
Go
to the DAT. It's smooth sailing... |
|
Canzone: |
"Tattoo"
- The Who |
|
Ed: |
Alright.
Hey, the guys are playing without me in the room. So uh, that song
is dedicated to the person who's our official new drummer. And uh,
it's Jack Irons. That one goes out to him. And uh. There's some
noise going on in the house. It's everybody in the band except me. |
|
Jam: |
[Over
some blues, somebody's singing [Krist?] - or screaming with
sarcasm, that is] Roadhouse blues ... Oh shit, my cellular phone
went out, awwwww, can't call Microsoft ... [Ed: [softly] Are you
back with me?]. Laurelhurst... Laurelhurst ... Laurelhurst ...
Laurelhurst! Laurelhurst! Laurelhurst!!!! Oh, you're all so fine
and white [Ed:Hah. Did you hear that?] Laurelhurst! I wanna belong
to the beach club! I wanna belong to the beach club! I wanna
belong to the beach club! That's where all the beautiful people
are, in the Laurelhurst beach club! Laurelhurst! Laurelhurst!
Laurelhurst! [Jam ends] |
|
Ed: |
Alright.
Well, that's what they would be without me. Sounds pretty good. I
think I'm gonna quit and move to Costa Rica. I think they'll be
just fine. Uh, that was cool. I was gonna make a couple of phone
calls. Uh, but ... The energy, uh... Maybe I should just get in
there and play. Um. Come back, will ya? Well, it's 11 o'clock
Seattle time. Again, we're broadcasting from Seattle. It's been
really nice from the secret spot and no one's hassled us. So uh,
we've had a great time. Everyone's just having a really good time.
I hope you are too. And uh, we're a half-an-hour over officially.
We're gonna keep... I'm gonna go in. We'll play some songs. And
then uh, maybe I'll make a couple of phone calls and take a couple
of phone calls after this. So uh. I'll just leave you with
something hear. |
|
Pearl
Jam: |
Last
Exit
Blood
Tremor Christ
Porch
Indifference |
|
Canzone: |
"Zero
Zero Zero One" and "Magnog" - Hovercraft |
|
Ed: |
Alright.
[Laugh] Well hey. Back from playing. There gonna cut us off in a
little bit. So I'm gonna tell you who that was. That was
hovercraft. And uh. Magnum. And uh. Kinda a cleansing of the
palette there. Uh. We hope you had a super cool time. We actually
had a great time here. Uh. Really cool vibe in this tiny place. It
would've been great to have y'all here. You know, like attend. And
get beer out of the keg and all that. But you know I guess [laugh]
you got as close to it as you good. Hopefully. I hope you had a
good time. Anyway. I'm gonna talk a little bit about what we're
gonna be doin' next week. And uh, I might even try and make a
phone call to uh...Cause Dee from L7, the drummer from L7 is in
town. She's actually over at Krist's house. She said she was gonna
come tonight. But uh, she's been out every night. I think last
night they saw Wool. The night before uh we were over at Matt
Lukin's house - that you heard pla y bass before with Mudhoney.
Blah, blah, blah. Namedropping! I'm dropping Matt Lukin's name.
Let's see if we can get a hold of Dee, I don't' know if she knows
we're calling. Do I press this out button or on? Bottom one on? |
|
Shelley: |
Hello? |
|
Ed: |
Hey
shelly. |
|
Shelley: |
Yeah? |
|
Ed: |
I
don't want to embarrass you cause we're on the radio but is Dee
there? |
|
Shelley: |
Yeah,
just a second. |
|
Ed: |
[To
himself] Hope she's not...hope she's not asleep. |
|
Dee: |
Hello? |
|
Ed: |
Hey
Dee. |
|
Dee: |
Hey |
|
Ed: |
Did
you uh go to bed already? |
|
Dee: |
What? |
|
Ed: |
Did
you go to bed tonight? |
|
Dee: |
I'm
just reading. |
|
Ed: |
Wow
uh... |
|
Dee: |
Yeah. |
|
Ed: |
I
got to tell you we're on the radio. |
|
Dee: |
We
are? [Laugh] |
|
Ed: |
Yeah,
I just thought I'd call. I was gonna talk.... We went over a
little bit. We were supposed to end a little early but I was going
to talk about that thing we were doing in D.C. |
|
Dee: |
Yeah.
It's gonna be great. Constitution Hall. |
|
Ed: |
it's
for voters for choice [right] and the date is uh. Well actually
it's two shows, the 14th and 15th in Washington D.C. at
Constitution Hall [Dee: Yeah] I think it's been sold out. I think
they did tickets by mail order or something. We're still trying to
figure out a way to distribute tickets equally and uh make
everybody...you know, we don't want to upset anybody, but uh it's
gonna be your band L7 of which you ...you'll play drums. You
usually play drums. |
|
Dee: |
I
usually play drums for L7, yes, but [Ed: And what happened?] I
won't be playing those two shows because. |
|
Ed: |
[Sarcastically]
Cause you don't agree with the issue or what? |
|
Dee: |
Uh,
yeah, no, that's not it, um... |
|
Ed: |
I
don't think that's it [laugh] |
|
Dee: |
I'm
waiting for my new set of hands. My bionic hands [Ed: That's right
you're um] I'm having hand transplants. |
|
Ed: |
Yeah
actually I saw.... well I told you I saw Dee the other night and
she's got uh...she looks like a recovering suicide ... failed
suicide attempt. |
|
Dee: |
Yeah
I get a lot of attention. |
|
Ed: |
[laughing]
Yeah, so... |
|
Dee: |
Um,
but uh, Dan Peters of Mudhoney will be sitting in for me. |
|
Ed: |
Alright,
so Dee's got scars on her wrist cause she just got carpal tunnel
surgery. So she can't play, but she's till gonna play there [Dee:
Right] and Dee is the poster girl for Rock For Choice [laugh]
that's her silhouette you see on the t-shirt that ...or the sign
that you'll see. |
|
Dee: |
And
again, Dan Peters from Mudhoney will be sitting in for me. |
|
Ed: |
Which
is well, super cool. |
|
Dee: |
So
I know it's gonna be a great show. |
|
Ed: |
And
uh... |
|
Dee: |
And
of course you guys open the night. |
|
Ed: |
We're
playing and uh. |
|
Dee: |
Neil. |
|
Ed: |
Neil
Young. |
|
Dee: |
Then
there's gonna be us. |
|
Ed: |
And
the whole band like Crazy Horse is gonna be playing too. So uh,
it's super cool. Well, I'm gonna, I'm gonna actually try to call
...someone gave me Neil's Young...um young Neil's number. Yeah, so
I'm gonna I'm gonna give him a ring and uh ... [Dee:okay] Thanks
for lettin us uh... |
|
Dee: |
Tell
him I said "hello". |
|
Ed: |
I
will, yeah. You'll uh...have you guys met? |
|
Dee: |
Yeah.
Kinda. Quickly. |
|
Ed: |
Was
you on the same bill or something? |
|
Dee: |
No,
he came to Lollapalooza. He was...[Ed:hmmm]...checkin us out on
the side of the stage and I talked to him afterwards. |
|
Ed: |
Wow. |
|
Dee: |
But
briefly, just like a "Hello". |
|
Ed: |
Yeah,
he's alright. Well, let's see if he's home and I'll bid you
goodnight. [Dee:Alright, well um I'll...] and I'm I gonna...
You're leaving in the morning or something aren't huh? |
|
Dee: |
I'm
leaving tomorrow night. |
|
Ed: |
Okay. |
|
Dee: |
So
um, if you want you know. We may hook up with Beth for lunch, so
uh, just come along. |
|
Ed: |
Okay.
Well we'll be here at the Royal. Actually we're gonna be answering
...[laugh] and we're answering...we'll be answering phone calls. |
|
Dee: |
Tomorrow
afternoon. |
|
Ed: |
Tomorrow
afternoon. We owe it to everybody out there. [Dee: Ah...] we'll be
answering calls for a while. [Dee: Okay] We didn't do them on the
air, but. |
|
Dee: |
Well
then I'll see you. |
|
Ed: |
Maybe
stop by before you go home. |
|
Dee: |
Alright. |
|
Ed: |
Okay. |
|
Dee: |
Take
care. |
|
Ed: |
Okay. |
|
Dee: |
Bye. |
|
Ed: |
Goodnight
Dee. I hate to get all personal on you and do all this stuff, but
let's uh. Let's uh let's just try to call Neil. |
|
Cary: |
Press
"off". |
|
Ed: |
Did
I do it right? All "off"? And then "on". |
|
Cary: |
No,
then it's "off". |
|
Ed: |
Number.
Sorry guys. |
|
Cary: |
It's
ok |
|
Ed: |
One...no,
you guys are ok. People listening. [Ed actually audibly mumbles
his number - good move Ed.] XXX-XXX-XXXX. Ok, now I turn
"on" or something. Like that? ring... |
|
Ed: |
Getting
good at it. ring... ring... |
|
Ed: |
You
know what? It's like... Uh ... It's almost midnight west coast
time. ring... |
|
Ed: |
Maybe
I shouldn't bug him. I'll let it ring one more time. ring... |
|
Ed: |
ehhhhhhhhhhh...
one more time. ring... |
|
Ed: |
[laugh]
Okay. Well, uh, well we're gonna see Neil next week uh. Like I
said. You know, I don't uh ... I shouldn't get heavy on you before
we go, but I'll read you a couple things.
First of all, one
of the ... uh ... affiliates in this thing called Voters for
Choice. Uh, it's a little different than Rock for Choice is uh ...
Gloria Steinem. Uh. I've read a lot about her, and uh just knowing
her work with Ms. magazine. Uh I don't know if you've ever noticed
when you pick up a magazine like Rolling Stone or Spin uh. Boy you
can ... you can count the pages that you've spent your hard-earned
money on in advertisement. Before, that's how I kinda read
magazines. You know, I pick them up and count the pages of ads
before the first article. You know, give me some text. And I want
to know, you know .... How few and far between it is. And ideally
I like a very dense magazine, you know. But anyways, Rolling
Stone, or uh even Spin, you know, fine people ... [laugh] 20 pages,
23 pages ... I think was one of the Rolling Stone ones. They're
gonna be very upset, but no this is the truth. And uh. Uh. They
can talk to me about it or whatever they want. Uh. But you look at
a magazine like Ms., and Gloria Steinem and some other people
started this thing. And there are no advertisements in Ms.
magazine. Um. One of the ... probably the main reason isn't just
to be cool. Uh, it's because if you have ... uh. Let's say you
have a ... I'm just gonna throw out a name, not to get in trouble
but let's say you have an agreement with Chanel to run some ads
and they, uh, write you after they see an article about lesbians
in your magazine. In your Ms. magazine. And they say "We're
not very comfortable with you using the word 'lesbian', talking
about 'lesbian'." I shouldn't have said Chanel because it
could have been anybody. I don't know if it was them. I'm just ...
It could have been, you know, Heinz ketchup or whatever. But they
- the advertisers - call and let people know they're very
uncomfortable with this, And that they won't advertise in your
magazine if they continue to keep talking about "lesbians
", for example. And this is the reality. This is reality. We
all have to deal with it and educate ourselves. And this whole
contradiction between not educating ourselves and yet at the same
time expecting.... What is it? Celibacy? Or ... uh ... um.
"Just say no?" It's gotta be education. You know, we
have to have educated people out there, and from a young age. And
they're gonna learn about this stuff one way or another. And they
might as well be educated to make a correct decision when the when
the dilemma comes up ... when the issue comes up.
Anyways, I'm
gonna go ahead and read you uh...a memo from Voters for Choice.
Now this was written on December 30, 1994, from Julie Burton, who's
the national director. I'm just gonna read it here. You can turn
this off if you want or whatever. It's no big deal. I'm not
preaching. I don't give a fuck. I'm just gonna read it.
"I can't
believe it happened again. How much do we have to bear? And the
sad thing is it's not going away. There are fanatics out there who
will stop at nothing including murder to force their views on us
all. Today ..."[aside: Again, this is December 30] "Seven
people were the victims of yet another brutal anti-choice attack.
Two women are dead, five are wounded. The assassin entered the [Ed
pauses and breathes disparagingly] assassin entered the Planned
Parenthood Clinic of greater Boston shortly after 10 AM, pulled a
22-caliber semi-automatic rifle from a duffle bag, killed the
receptionist and wounded three other people. He continued the
carnage a mile down the road at the Pre-Term Health Services
Clinic where he killed one person and wounded two more. The women
killed today join an ever growing list of individuals assaulted
for providing critical - and legal - health services to women. Dr.
David Gunn, murdered, shot in the back 3/10/93. Dr. George Ti ller,
attempted murder, shot in both arms, 8/19/93. Dr. John Britton,
murdered, shot in the head, 7/29/94. James Barrett, murdered, died
escorting Dr. John Britton, 7/29/94. June Barrett, attempted
m-murder, widowed and wounded, 7/29/94 [aside: That was her
husband that was killed]. And Dr. Gary Romales, attempted murder,
shot in the legs, 11/8/94."
[Pausing] That's
besides the, uh, the seven people last week or whenever it was --
a week and a half ago.
"How many
more victims will there be before patients, personnel, and doctors
won't have to face the intimidation of terrorists? Pro-Choice
forces long have contended that there is a national strategy of
murder within the Pro- Anti-Choice community. Recently we
discovered a "how-to terrorist handbook" - the third
edition in three years published by the Army of God and
distributed nationally. The book provides step-by-step
instructions on how to assault clinics with bombs, chemical agents
and other violent means. Since it was first published, attacks on
clinics have tripled. Many Anti-Choice leaders continue to refuse
to take responsibility for their rhetoric and the violence it
encourages. [aside: If you can listen close to this part.]
Operation Rescue's Reverand Pat Mahoney blamed today's violence on
the freedom of access to clinic entrances law [aside: That's the
Face Law] for opening the doorway to vigilante actions by
harassing and intimidating pe aceful process...protesters. As you
know the Face Law is the only law on the books to protect family
planning clinics from violence. The solution is not to take away
the one small protection of afforded clinics."
What they're
saying is that by protecting them they're ... they're urging them
to protest in a more violent way. By...by not letting them walk in
the front door, they're saying that they create a more violent
situation on the sidewalk. hmmm
"Now
..."
I'm gonna go back
to this
"Now more
than ever..."
Well, let me go
back.
The solution is
not to take away the one small protection of afforded clinics, but
to expand and add to it. That's what we just talked about.
"Now more than ever, we must fight the conservative tide that
has taken over Congress. We must elect progressive leaders who
will vote for federal funding of U.S. Marshalls at all clinics... [aside: This is our ... we're protecting what we voted for
[exasperated laugh] who will push for more clinic protections and who will
advocate better and swifter investigations of anti-choice criminal
extremists."
Um, it's kinda
heavy. I mean, you know we're having a good time on the radio and
whatever, but it's good to take care of this stuff and you guys
should know. And uh anyway here was a quote from Gloria. Actually
this was a ...a note and it said: "Gloria hadn't heard about
the shootings until she got my note yesterday." Good thing we
did. Here's her quote.:
"Nothing
could be more clear..." ... and this, this takes it to
another level so if you're still with me, then listen close.
"Nothing could make more clear than this Massachusetts
massacre than the deepest message of the anti-abortion movement
... the deepest message of the anti-abortion movement is not
pro-life, but anti-women; not mutual respect, but terrorist
control. These anti-abortion terrorists continue to show us what
they will do. The question is what the U.S. government will do and
its voters will do. When we finally make clear that the lives and
freedom of women of all races are as important as the airlines,
that the...World Trade Center and other targets that threaten
male...uh male - as well as female - life and business as usual."
What they're
saying is we've totally, you know... there was problems with the
World Trade Center, we took care of it. When there were problems
at the airlines with terrorist activity we took care of it.
Nothing has been done so far. And there's there's... these these
clinics are obvious targets. It goes on to say:
"Will crimes
against women finally be taken as seriously as others? Until we
see culprits punished and crimes prevented, every man and woman in
America must make the protection of our community and our clinics
a personal priority. If we have to stand guard outside their uh
doors ourselves we must make sure this never happens again. I
pledge myself to that end. I send my deepest sympathy to all who
have suffered from this terrorism and my support to all who
protect freedom in spite of it."
Well, there you
have it. So we're gonna go play next week and see what we can do
... do a little press conference. You know. It's something we all
... it's just a right. We voted on it, it was taken care of and
...um I don't know, uh, it's hard stuff to think about. Well, I
think we're uh...I think we're just about out of here. I'm gonna
play one more song and say goodbye. Thanks for listening and we'll
try to end it on a better note. But Jeff's right here. Wanna say
goodbye?
|
|
Jeff: |
Bye. |
|
Ed: |
And
uh. |
|
Jeff: |
Bye. |
|
Ed: |
We
heard it sounded really good from the room. We want to thank
Mudhoney and the Fastbacks and uh. Even I thank Slant Six for....
I hope they're ok with me playing their record. And Crunt and Cat
and every body and Soundgarden of course, Krist Novaselic, Dave
Grohl for lettin me play his tape. Thank you for listening to my
lame fucking voice for so long. Um. Did I miss anybody? Everybody
... mainly again, we heard the room sounded great and uh we just
wanted to say thanks to Cary. Oh! and I'm gonna uh ... like I said,
w-we'll answer phones tonight. And I'll answer them tomorrow and
I'll answer them Tuesday. Uh. I'll spend some time just seeing how
you guys are doing. 206-XXX-XXXX. Call me with your opinions, tell
me what you think, tell me what you think of us talking about this
kinda stuff. Tell em...tell me real stuff. Don't get all nervous
when I pick up the phone. Okay?
Um. Again, I
wanna go back and real quick ... sorry. Thank the crew. We couldn't
have done it without them and uh all these radio stations pages of
them. WNEW - New York, Pittsburgh, Utica, Dover, Pough[keepsie]...it
goes on for a few pages. I don't know if any of them pulled out.
I'm talkin' too
much, but uh, I just, it's not uh... we appreciate being able to
broadcast to ya, so uh, hope you enjoyed it and we'll see you guys
next time. See you in dc. Goodnight!
|
|
Canzone: |
What
a wonderful world - Louis Armstrong |
|
|