|
Pearl
Jam: |
Brain
of J
In Hiding
Spin The Black Circle |
|
Canzone: |
"HIV
Baby" by Soundgarden |
|
Ed: |
Alright
Soundgarden that was you ahh that was you. HIV Baby ahh that's a
rare kinda release these ahh because that was somethin' called the
Sub Pop singles club ahh where ahh would give them a certain
amount of money every year and ahh every month just like a
magazine, they'd ahh send you a single. And ahh this was ahh I
think quite a rare one. Ohmm and I think Sub Pop just started
doin' that again so if you have any interest ahh I'm sure you can
check in to it. Ahh now ahh there's a guy named Peter Buck and he's
settin' up to ahh play something live for ya and to ahh but
sitting next to me is ahh ohmm Mr. Krist Novoselic and ahh... |
|
Krist: |
Hi
Eddie. |
|
Ed: |
Hi |
|
Krist: |
It's
great to be back Monkey Wrench Radio. Wow thanks for havin' me. |
|
Ed: |
Yeah
that's right. It's ahh its been a long year... |
|
Krist: |
Yeah
yeah 1997 6 when was that 1995? Somethin' like that... |
|
Ed: |
Ahh
just it feels like one long year ago. |
|
Krist: |
Yeah.
One long year. Yeah. |
|
Ed: |
But
you've got ahh maybe some words for us. Whatcha been up to? |
|
Krist: |
Oh
God what have I been doin'? Well I've been doin' JamPac a lot ohmm
I've been mostly doing JamPac. Finding some legislation here in
Washington State. Been working on Inch Radio [?] Probably the
coolest, well after Monkey Wrench Radio almost the coolest radio
show after Monkey Wrench Radio and so if you want to hear Inch
Radio call your radio program director at your station say we want
Inch Radio. |
|
Ed: |
So
Inch Radio that's somethin' different from pirate radio because
its something you put together ahh is it a half hour show? |
|
Krist: |
Yeah
it's like a half hour show. It's like a news magazine. Its ahh its
really cool. Its like music information and ahh if you're not
careful you might learn something ha ha God I noticed that ahh
Jack in his drum set has this garbage can lid as like cymbal and
it reminded me of the Fat Albert Band and ahh yeah I'm doin' that.
I'm workin' on a film. I'm doin'a film ahh and that's what I
brought by here. I brought by here the film is kinda bitter and
irresponsible but in the end it's about personal triumph over ohmm
adverse conditions so ohmm at the end of the film the devil kinds
lays it all out and ahh I'd like to read somethin' from it. So
maybe I'll ahh get cookin' on that right now... "Ceremonies
and traditions are important to preserve structure. Structure is
important to the collective. On the surface we interact through
the structure of speech and other social connections. Underneath
there is an interaction and social connection we all share
unspoken this is a realm where the spirit of music dwells among
other spirits all connected through the thread of love. All art
and commerce - the struggle continues the emotional response to
tones and rthyms is an experience that is uniquely human. I've
never seen a monkey hand jive. Then again, monkeys don't put value
on sticks and stones. Oh the struggle between emotion and cash.
Don't you know necessity wins over tears? You've got to keep the
plate on the table no matter how bad you feel. Songs make us laugh
and songs make us cry. But that stuff ain't got no place on the
bottom line. And by the way, speaking of lines, we signed on the
dotted one. If we want to talk about a fair shake, remember what
the guys say: shake it more than 3 times and you're playing with
it. Shake it enough, who knows what you'll spill. Spill your guts
on my doorstep and I'll wipe my feet on your format. Ahh, at
versus commerce. Emotion versus cash. Essentially, flesh versus
spirit. Everyone is looking for the new Messiah. It's always been
that way. Just remember, for every Jesus, there is a Paul selling
what you want to hear. Let us now take a moment before we give out
the pink slips and bow our heads in prayer. 'Oh Messiah, on the
scene, at the start our favorite flavor. At the end, a bitter
taste. Unclean. Of course, we chew you up and spit you out. You
must have heard this one before, but swimming up the mainstream
has always been a chore. It's a weight the new Messiah carries. A
shiney, shiney jewel. It's a rich bag full of spice, girls. It's
there the boys who write the songs rule. The market and the stage
- since when were they the same? What does the bank say? What does
the player p lay? The ticket or the tune? A lote holds them apart.
One fits in your pocket, the other in your heart. These days, it
gets real fuzzy. It's hard to make out what's dear. When you've
got to choose between the merchant or the balladeer. Amen.'" |
|
Canzone: |
"Wouldn't
It By Nice" by The Beach Boys |
|
Krist: |
"It's
been almost four years since Galgatha. Paul morphed into the Holy
Roman Empire of Fast. That's the information age for you. After
Peter walked into Cheetah Roman, they made his bones into
candlestick holders. Apostle swag at planet vacation. Judas drags
corpses across checkstand. Truth is all Greek to King James. The
revival tent draws a crows 2,000 light years after the fact and
the testimonies and baptisms are projected onscreen. The film
holds some water but not enough to break God's law. The Holy
Romans say the sun goes around the Earth. You better believe it or
they'll burn you bad. Ask Gallileo. Good thing his Agent was
connected. At Kasemsaki's last temptation, Paul bum rushes the
hippie looking freak. 'I'll shall become your apostle whether you
like it or not. I shall construct you and your life and your
teachings and your crucifiction and resurrection just as I wish.
Joseph, the carpenter of Nazareth did not beget you. I begot you.
I, Paul, the Scribe from Tarsus and Selicia.' Judas karokes old
age while the Messiah goes uncredited. The cherade will blast open
upon the dirty lawyer's split nucleus. A shotgun can't cancel out
the A Bomb. The fallout is still in orbit. And myself, I don't
practice the religion their Messiah practiced. My saves my soul
saves over 100% when it subscribes to liberation. Call now - 1 800
I am Free. That number again: 1-800-I A M - F R E E." |
|
Song: |
"Live
For Today" by REM |
|
Ed: |
Ok
ahh and in the next room I can see 'em from here ahh a band with
more people than any other band that ahh that's ever done this
show to this point ahh I can see Peter Buck. I can see guy named
Sherat who plays sax. Ahh it's quite a few. I'm gonna have to find
my list to name everybody but ahh guy named Barrett playin' drums.
Ahh and ahh and as a collective they're called Tuatara and ahh
hope you got your tape recorders goin' cause ahh they're gonna
play for ya right now. |
|
Tuatara: |
Saturday
Night Church
L'Espionnage de Pomme de Terre
Serengeti
The Streets of New Delhi |
|
Ed: |
So
there you have it. Tuatara. This is ahh Chris Cornell singin' ahh
a song called "Sunshower." |
|
Canzone: |
"Sunshower"
by Chris Cornell |
|
Ed: |
Alright.
As I mentioned that's ahh my friend Chris Cornell playin'. Ahh so
we've ccovered Chris and Matt ahh tonight ahh cause we had Well
Water Conspiracy and then there's a bond called Hater ahh when Ben
playes in ahh I think Matt has another band ahh I think even Ben
has another band besides that and ahh you Kim's doing good too so
ahh ahh say hello to those guys and I heard ahh ahh well I got
this guy ahh Watt on the phone. Mike Watt. Are you there? |
|
Watt: |
Yeah. |
|
Ed: |
Hey. |
|
Watt: |
I
hear Krist and those cats. |
|
Ed: |
Yeah. |
|
Watt: |
There's
a devil dog too or somethin' . |
|
Ed: |
Ahh
I heard we lost ahh lost to LA down there. |
|
Watt: |
Oh
yeah. Yeah. Yeah. Air rush. |
|
Ed: |
Air
rushed out. |
|
Watt: |
There's
a crop and it's right at the end. I got Brian Wilson. You know, I
read that book. It's a trippy book. |
|
Ed: |
On
Brian? |
|
Watt: |
Ahh
Wouldn't It Be Nice. Ahh Mike Love. I guess when the cousin sued
him for it, won it in Connetticutt. I was readin' in the paper.
But right after that song also, there was a bunch of generic new
wave. They ahh the plug got pulled. |
|
Ed: |
I
think ahh yeah. Well I was just thinkin' that ahh it's a little
hectic runnin' around here between the live band speakers and ahh
collecting our thoughts to play the records and ahh then I was
thinkin' it must be great to be a regular DJ who just sits back
and ya know who just plays records as opposed to all this other
stuff and you know they can just sit back and play whatever they
want and then I thought, but they can't. Ya know? Those guys ahh
are on a play list and all these ahh... |
|
Watt: |
I
think Krist was sayin' that in his poem. He says is it it is it
the players or is it the danglers? And ya know art and commerce
spill thing stuff that guy was getting' heavy. Us Krockers was
sweatin' under the collars and stuff. It got they might have
gotten the amen's and stuff. I think it was like I said too much
weight for the brain to take and they ain't I don't know. |
|
Ed: |
The
words just might've been knockin' out the satellites instead of
bouncin' off. |
|
Watt: |
Yeah.
It was it was great thought man to hear him and I remember the
last time yeah he was talkin' with ya too man. He's ahh he he
asked me to come up there. He's send this bunch of stuff and he's
got this place by the border near Oregon there and ahh a lot of
places need to be torn down with the salt zogs and pry bars and he
wants to build some new sheds and stuff and the old house and
stuff and he says to 'come on Watt out for a week.' He says we
take some Volkswagon 3 dead ones andmake one live one. |
|
Ed: |
Yeah.
Destruct and reconstruct. That's actually how he thinks a lot ahh... |
|
Watt: |
He
told me the band think he's out kinda bummin' him the Art and
Commerce. |
|
Ed: |
Yeah.
Art and Commerce. It looks like is ahh ahh is smothered. Ahh Sweet
75 - this one record, a good record, I'm glad I got to see 'em 6
or 7 times I think, maybe, cause ahh they were playing with
Hovercraft so ahh... |
|
Watt: |
Saw
'em in LA at The Trube. |
|
Ed: |
Yeah
that's right. We were down there. Kyra was down there. So ohmm
anyways... |
|
Watt: |
Have
a guitar? |
|
Ed: |
12
string. |
|
Watt: |
Yeah
that was a trip. |
|
Ed: |
Yeah
Krist is somthin' else. What... |
|
Watt: |
Band
and stuff. But ahh I think people just got a I like the way he's
just framed. |
|
Ed: |
Yeah
ahh that's ahh I think it's not allowed a lot of times and
apparently ahh you know not in ahh not in LA tonight. Ohmm.. |
|
Watt: |
You
jive guys. I got you guys. It's trippy. |
|
Ed: |
Well,
hey the last time we were talkin' no you had a spill... |
|
Watt: |
The
wall went down. Went down like and that was it. Brian Wilson and
that was it. |
|
Ed: |
KROK.
KROK. I'm sure they mean well. Someone at the station does. |
|
Watt: |
Ah
Spin the Black Circle. You guys playin' it live it sounded good
too. You guys it was pumpin'. |
|
Ed: |
Ahh
good. That's our tribute to vinyl. Well actually we're tryin' to
keep it all vinyl that we're playin' tonight. Actually, last time
that we we ahh spoke ahh you had a record out. That was the ahh
last year ahh well it was a long year. Maybe three years ago. But
it feels like a year. |
|
Watt: |
Long
year. |
|
Ed: |
Ahh
but ahh in this long year ahh you've completed another and I was
thinkin' we'd play somethin' off of it and ahh ahh you wanna tell
us the ahh the title? About the album and the track? |
|
Watt: |
Yeah.
It's a heavy thing for me. An opera about ohmm one day. 24 hours.
And I made the tunes go round the day and this was kinda early in
the mornin' on the bike ride. It has to do with these 3 guys on a
boat. They're sailors and it's kinda like ahh I got to thinkin' I
was a decade in last year. And it was a trip and so I started
thinkin' ya know I was on a bus for the 1st time and ahh.. |
|
Ed: |
That
was with ahh I know the band but you can tell everybody. |
|
Watt: |
...
perk and I was thinkin' a lot about the band and I mean that was a
boat too but to them it was seeming like a boat. I got this book
"The Sand Pebbles" which was one of me and D Boones
favorite movie when we as kids and the book is just so much so
intense. |
|
Ed: |
Hmm... |
|
Watt: |
And
ahh so I got spurred on and made this opera and it was kind of a
Valentine to people I've lost. Pop and Boone. |
|
Ed: |
Yeah
I don't know how many people have gotten to hear it yet but ahh
but you know I was even talking to you know I I've been listening
to it and I was kinda impressed to hear someone like this guyDave
Marsh who listens to tons of records and ahh knows music history
like ahh ahh you know ahh ahh life and ahh ahh he thought it was
the best rock opera he'd heard and you know since ahh you know.... |
|
Watt: |
Well
that's very nice. |
|
Ed: |
Since
Mr. Townsend and all that ya know. |
|
Watt: |
Well
ahh it's been almost it's been 12 years and I just wanted to make
a piece I wanted to integrate my thing I been ahh pretty skitso
for years I been pretty fragmented for years and stuff. I just
wanted to be grout for a bathroom tiles I hope the tiles you get
it and use it for a day. Cause I think one life is many days. You
know the sun rises. The sun sets. The week could be nineteen days.
Could be five. But you know why but the day is real I think I just
I I well you go down. You're makin' the records now and after and
after after you just want somethin' in you inside in it was just
circumstance that shoved it out of you. I I had tell you it had to
be a decade under the way. |
|
Ed: |
That
was with ahh yeah very long span. |
|
Watt: |
It
was a trip. And was waitin' for that and wear those funky you know
dresses or pajamas or whatever but it was like sailor suits. Ahh I
remember bein' a boy and seein' my dad wearin' those suits and
then the hippies copied their pants with bell bottoms I just I
they had to have kahoneys to look like that and then he told me
they all had jobs. Like they wore the bibs cause they carved their
hair. And they wore the hat cause the hat could be a bucket and
they could bail water and like they all had and the bell bottoms
you could get out and float. It all had device and stuff [laughs]
somethin' about it playin' in that unit with them and then the
idea of him tellin' these little stories and then I thought why
don't I tell a big story. And that's the whole idea of the opera. |
|
Ed: |
And
this is ahh this song come in ahh ahh in the 24 hours we're
talkin' this song comes in the morning? |
|
Watt: |
Yeah
ahh in the morning. Well see, most of the time see I'm sittin'
there with the bass and that's how I write the song. But this
record, I wrote all on the bike. I got one song all for the route
for the bike where I wrote. See I'm lucky in Pedro. Like I say in
the end I'm a lucky man. Geography. I don't know. The cliffs. The
boats. The pelicans. It's intense. And what I did, I just opened
my eyes and let it all just fill. Like in this song I call Eye
Gifts. You just open 'em up and they come right in all the rythms
or the waves or pounders, you do surfin' and stuff... |
|
Ed: |
Yeah. |
|
Watt: |
On
the bike, you learn to listen man you know? |
|
Ed: |
Yeah. |
|
Watt: |
Different
than the band. So so this is one where I was with this then. It's
a trip. So Pedro Bound... |
|
Ed: |
Let's
ahh let's play this thing. |
|
Watt: |
Sailor
man. My daddy you gotta understand... Navy housin' right or anyone
who moves around you get orders and you got to move. And this
about getting' orders to move to Pedro. This was gonna be our last
move. It was our 11th move. My mom says no more movin' this is it.
And it ended up bein' my home and this is where I met D Boone,
where I was a Minute Man. This is my home. Now I'm a Pedro Man.
But you know I'm not really a Pedro, I was like a sailor in a way
and am still torn and stuff. Both things still dazzle me. In a way
Still tryin' to make sense of it bit it's ahh... |
|
Ed: |
Well
just like ahh what Krist had written. |
|
Watt: |
A
mean opera. I just feel good about it. Sayin' these things. In a
in a and then with Hodges and Nells for makin' it. It was a trip
for me. Cause bass is like a rudder man. You know? You cannot sail
sails with your own breath. You can try. I do. |
|
Ed: |
Its
it's a broom. A rudder. |
|
Watt: |
A
broom. |
|
Ed: |
It's
a bike. |
|
Watt: |
You
got rudders. You got orders. |
|
Ed: |
With
big wheels. |
|
Watt: |
You
got a deck, huh. You know. |
|
Ed: |
Ok
ahh well I got to got to get to this track cause ahh I got another
band still ready to play and ahh but ahh I should call you
tomorrow and we ahh we'll keep talkin'. But I' glad I hope that
some people got to hear where Watt was comin' from. |
|
Watt: |
Alright. |
|
Ed: |
Alright?
Ok so this is Pedro Bound. I'll call ya tomorrow. |
|
Canzone: |
"Pedro
Bound" by Mike Watt |
|
Ed: |
Ok
so you heard the story. So that was the last stop for Watt. Pedro.
Ahh now we didn't mean to ahh get on KROKor on anybody we don't
mean to ahh get on anybody. Ahh if anybody is still carryin' this
thing on the air, we're still going. Ahh Brad is about to play.
That would be ahh my friend Stone and his friend Sean and Regan.
Ahh they've done some touring and ahh I expect them to be good.
Ohmm and ahh we're also gonna give out a phone number which I'll
do right now or ahh just a in just a second if you want to to just
call in and say hey. I don't know if you're getting' sick of my
voice by now. I'm I'm getting there myself. But ahh I just wanted
to say ahh if stations are pulling out you know I don't think this
thing is ahh kind of you know the ordinary thing and and ahh or
maybe there's people still out there on ahh computers listenin' to
it or ahh you know or tomato soup cans you know I don't know but
we've g ot another hour and ahh we're gonna play again and ahh
right now ahh we're gonna go to well I promised you that number.
If you want to give us a call [206] 343-8724. 343-8724. And while
you're ahh ahh figurin' that out, let's listen to Brad. |
|
Brad: |
I
Don't Know
Not Too Late
Buttercup |
|
Ed: |
That's
it. Gees. I've never seen them live. Dang. So that's what Stone's
been doin' with his time. Gees. Excellent. Ahh the other members
of the band that I didn't mention were ahh Mike Berg and Matt
Brown again with ahh Regan Hagar, Sean Smith and ahh Mr. Stone
Gossard. So ahh ahh kinda sounded like the record. Kinda blown
away. Great. Ahh I tell ya ahh we gave out the incorrect number
and I have some more numbers for ya and ahh I have to think if
anyone's still up at the East Coast right now, here's to you. It's
still water I'm not gonna do it til right after we're done here
then I'm gonna have 19 of 'em. Speakin' of numbers ahh 121 2387.
121 2387. Now that's not a phone number so don't try callin'. This
number represents Tibetan deaths under Chinese occupation.
1,212,387. 1,212,387. Ahh if you want to call and talk about that
or anything else is ahh we do have this other number for ya. It's [206] 303-85 65. That last one is wrong. This one is right. And
ahh Stone is ahh gonna come in and play a couple records for ya
and then I'm gonna say good bye so ahh ahh this was his first
choice which was HiFi Killers we'll see ya in a second. |
|
Canzone: |
""
by HiFi Killers |
|
Stone: |
Alright.
This is ahh Stone. I've come back to play a couple songs with
Regan who plays ahh drums with Brad. We just had a really nice
time playin' some ahh music and ahh this one ahh ahh goes out to
Carrie Harrah, our good friend who works at Sub Pop and ahh she
brought this single down and it seemed fitting tonight. I don't
know why, but here we go. |
|
Canzone: |
"You
Sexy Thing" by Hot Chocolate |
|
Stone: |
Alright.
That was ahh Hot Chocolate, You Sexy Thing. Alright. Man that was
funky. Ahh anyway ahh we're gonna play somethin' off a record that
me and Regan have been listening to a lot lately. It's Timbaland
and Magoo record and this songs gettin' played a lot on urban
radion stations. I doubt its been played on KROK and it might not
even be played on KROK right now but we're gonna play it for ya
anyway. It's called Luv 2 Luv and it's Timbaland and Magoo. |
|
Canzone: |
"Luv
2 Luv" by Timbaland & Magoo |
|
Stone: |
Alright.
Ahh that that was ahh Timbaland & Magoo. Ahh I just wanted to
give a shout out to the HiFi Killers ahh that was the first track
you guys heard after the ahh Brad play was HiFi Killers and that's
a track off ahh a new EP coming out ahh lo and behold on
LooseGroove Records. And ahh I just wanted to ahh thank Ed for ahh
puttin' this whole thing together. He's done a great job and ahh
brought a lot of great bands together and ahh Brad's very happy to
be here. And ahh let's see, we're gonna listen to somethin' else
here. It's off of SupaDupa Fly - Missy Elliott. And ahh... Regan:
Beep me 911. |
|
Stone: |
What
is it? Regan: Beep Me 911. |
|
Stone: |
Ah
hah Beep Me 911. It's the same guys produced ahh they actually the
track you just heard a second ago. And ahh here it goes. |
|
Canzone: |
"Beep
Me 911" - Missy Elliott |
|
Stone: |
Ahh
alright. That was ahh Missy Elliott and ahh we go one more song to
play for ya. And this one is kindof a shout out for Mike McCready
ahh this is a band ahh called the YaYa's and ahh it's got some
classic Seattle guys in it. Ahh Lance Mercer, who is a good friend
and photographer in Seattle, an old school punker guy. And ahh
Eddie Hulitz who was ahh what was Eddie's band again? Regan: Good
God. Silly Killers. |
|
Stone: |
Siller
Killers. Them slats. God damn they're genius band. Charlie Ryan
who used to play in the U Men and ahh is another classic Seattle
drummer and ahh ahh Dan Kempcorn who plays with Green Apple Quick
Step and is a fair guy. And ahh let's see this song is called Long
Ways and ahh this one's for Mike McCready, a good friend of mine.
And ahh we'll you all later ahh this is Brad kind of signing off
now. And ahh I think Pearl Jam's gonna play and Ed's gonna come
and talk a little bit more so ahh we'll talk to ya soon. Bye bye. |
|
Song: |
"Long
Ways" by the YaYa's |
|
Pearl
Jam: |
"Nothingman" |
|
Ed: |
We're
gonna finish up. We've got five minutes. While I've still got the
microphone, I just want to say thanks to every body for comin' and
playin' and drinkin; and laughin'. |
|
Song: |
""
by Hovercraft |
|
Sound
Byte: |
[Unknown]
I'm so much happier since I joined the legion of doom. Who cares
if Superman and his bunch always spoil our evil schemes? Nobody
ever gets hurt and we always get away at the last minute. Good
doesn't really triumph over evil, it just postpones it. In the
end, we're always the one who gets to claim the last laugh. Which
is the whole point of being a super villain in the first place is
cause of the laughs. You don't know how much fun an evil laugh can
be until you've tried it. Everybody here at the legion are the
best laughers. We throw big catered parties and all the super bad
guys come and we crack jokes about Batman and Superman and we just
laugh like crazy. Everybody practices and perfects their own brand
of personal evil laughter. There are so many possibilities. You
can cackle or chortle or gaffaw or chuckle or titter or giggle or
snicker or roar or just snort. You can be ominous or menacing. You
can bent or you can be grim. You can be forboding or just be
filled with sick laughter. You can just be sick. The possibilities
are endless. There is nothing like the combined laughter of a
dozen maniacal madmen. We have such great a parties. |
|
Ed: |
Alright.
Well ahh thanks for comin' to our party tonight and ahh ahh a
sincere thank you to any and all radio stations ahh throughout ahh
the United States here that have ahh carried it. We hoped that we
did ahh hope we did ok programming. Ahh we took advantage of the
freedom ahh ahh that you gave us to do whatever we wanted so ahh
ahh I'm I'm actually just startin' to have a pretty good time here
so ahh you know I don't know if I'm a villain or if I'm ahh ahh a
good guy ahh but you know we got this opportunity to make music
and there is a little attention that goes along with it and ahh we
thought we'd ahh ahh spread the wealth a little bit. Ohmm yeah.
Let me think of a final thought here. What's been on my mind is
the media attention. Ahh maybe I'll go on a rant here. Got a few
minutes. Ahh it's kinda crazy this thing about the President's
penis, isn't it? You know it's it's ahh sexually intriguing. I
admit ther e might be a little interest there but that's a little
interest and to see ahh people like Peter Jennings and people like
Cokie Roberts and ahh people with college degrees going to waste
talking about this kind of stuff. Theme songs to go with the ahh
the latest Presidential conflict. Clinton in Crisis. I kinda don't
to be honest, I don't give a fuck about President Clinton. Ahh not
as a person. I mean ahh ahh it's fine. Whatever happens, happens.
Just get down to business. All these guys arguing amongst
themselves. This is my little rant. Again ahh without a college
degree. You know, campaign finance, get over it. Let's go. This
stuff exposing ahh ahh these little kind of things, get over it.
We voted you in and give you our tax money to take care of us. Get
to work. Quit fighting amongst each other. Get to work. Ohmm well
that's pretty much ahh my rant. Ahh Look I think we're ahh gonna
be tourin' this summer so we'll see you all out there. We might
even bring ou r little pirate radio station so if you're in the
parking lot ahh you might even be able to hear a few ahh private
words comin' at ya and ahh spin some things. Maybe spin some
records that maybe you might not here normally. Ahh the last year
it was at 89.1 ahh imagine it should be the same. So ahh good luck
with that. Again, good luck to all the radio stations out there
ahh programming things that they want to program ahh thanks again
for playin' us and ohmm and ahh I guess I should have wrote this
down. See I'm not good at speeches. You should've remembered that
from the band. Ohmm I guess it's just time to say ahh say
goodnight. Ahh thanks to all the bands: Tuatara, Brad, Zeke,
Mudhoney ahh and I thank the guys in my band for lettin' me be the
ahh program director for tonight and even the people in here that've
helped, which is Harvey, Mitch and Sonny and ahh you got guys in
the satellite trucks and ahh it's been a good night. Can we take a
phone call? Hello? |
|
Ed: |
Ahh
it's me. Oh here, I got to put it down for a second. Hello? |
|
Shannon: |
Hello?
This is Shannon from Des Plaines in Chicago. |
|
Ed: |
Des
Planes? Yeah I know where that is. |
|
Shannon: |
Yeah,
well why I just wanted to tell you that you're great. So I wanted
to tell you I've listened to all of your shows that you've had and
I thought they were great. |
|
Ed: |
Ok
ohmm Wow ohmm thanks a lot. I'm impressed with your tenacity with
this band. We really appreciate that. If it weren't for you, we
couldn't do this kind of thing. And actually ahh ahh I wouldn't
even be able to surf and ahh ahh take time off to have the life
that ahh ahh we get to have now days if it weren't for you. So I
hope it was a good trade. I hope the music's alright. |
|
Shannon: |
Yeah,
it's wonderful. |
|
Ed: |
Well
thank you. |
|
Shannon: |
Thanks
and god luck on the rest of your show. |
|
Ed: |
Ok
well we like this one and hope you do too and we'll see ya this
summer in Chicago, hopefully. Ok ahh see I just promised I would
try to take one call before the end of the night. Ok ahh ahh that's
it folks. See ya all out there. Take care of yourselves. Take care
of one one another. You know, the usual stuff. See if I can find
it. |
|
Canzone: |
"What
A Wonderful World" by Louis Armstrong |